Originally posted by Snake Plissken
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Bands that could (and did) send out ringers on tour
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Originally posted by Satchmo Distel View PostI'd be curious as to the earliest examples of this. There were cases in the Fifties of an R&B act going out on tour with different personnel than recorded the hit single or LP. 'Alvin Stardust' was of course a ringer for the guy who made the original record that made the act famous. Rocket 88 was Ike Turner's band but credited to Jackie Brenston, who just did the vocal.
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Originally posted by Walter Knight View PostNot a tour, but a TOTP appearance - the Manics with a roadie in a mask filling in for a honeymooning Nicky Wire:
https://youtu.be/cjIr3UrF0lQ?si=hSpGhPZs3BCpmJ2A
Story and clip:
https://ianduryauthor.wordpress.com/...to-the-rescue/
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Re: Black Box - the original single was a patchwork of samples from Loleatta Holloway's Love Sensation:
When the track became a hit across Europe m'learned friends got involved and the UK label RCA arranged a Heather Small re-record of the vocal - Small was signed to RCA at the time as part of the band Hot House.
Love Sensation was a number one on the US dance chart in 1980, so not entirely unknown.
An even more blatent substitution was Aretha Franklin's distinctive vocal from her track Rock-A-Lott on The 49ers Touch Me being mimed by Dawn Mitchell.
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Peter Shelley - who passed away last year - was the fellow. He even performed as 'Alvin' on Lift Off with Ayshea before handing the long-term baton to Mr Jewry/Fenton/Stardust.
Shelley of course went on to write most of the act's songs, run the label and also managed a couple of Top Five hits of his own.
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I'm currently editing a book about Soft Cell, in which I've just come across an amusing story about a time when the record company were demanding they went to Germany to do a TV appearance to try to keep 'Tainted Love' at the top of the charts there, while the band were very busy trying to write and record the follow-up. To keep the label happy and minimise disruption to the recording process, Marc Almond went over to Germany with a mate of his from Leeds who looked vaguely like Dave Ball and was able to stand behind the keyboards without attracting any attention, while Ball stayed back in the studio getting on with the other work.
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