Im half sure it was always built with the more senior respectable Glasgow working class in mind. Fuckers in cooncil must have been some bastards to make half the flats duplexes with stairs. No like any cunt in Glasgow to get arthritis.
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Brutalism (and other architectural styles)
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It was definitely 'respectable'. Nobody there went to my school, and it was outside the confines of 'Temple' (about 1/2 a mile northwest and fucking nuts), and equidistant from the polis station, to the north. It was also close to a couple of fantastic butchers, a cracking wee record shop, which itself was next to a sports shop, which if I remember rightly only sold screw-in studs, weird* French football shirts, and every Subbuteo team going.
*Not weird, garish.Last edited by Gerontophile; 27-11-2017, 21:26.
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I lived up and off the road in Kelvindale for a few years (the same boring post war harled wall tenement street where some psycho bam would murder an Irish student about 20 years later). Only ever saw much of boring as Knightswood down past Anniesland Cross, if I ever had the pleasure of Temple, must have blissfully missed it.
Drumcondra in Dublin gives me a similar vibe to Anniesland on Gt Western Road. Mibees just the railway bridge over the old airport road but.Last edited by Lang Spoon; 27-11-2017, 21:35.
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- Apr 2011
- 2053
- A bottom-bottom wata-wata in Lake Titicaca
- Atlético Machu Picchu, Lake Titicaca Pan flutes FC
- Buñuelos Arequipeños
Originally posted by Lang Spoon View PostThe (pointless in themselves but very pretty) abstract roof sculptures and massive diagonal treelike struts lifting the building off the ground at Unite d’Habitation in Marseilles is probably the daddy of the whole thing.
https://blogs.mediapart.fr/michelrot...er-un-fasciste
Ses amis les plus proches sont fascistes, vichystes et antisémites, comme lui. Ils appartiennent tous à la frange d’extrême droite des émeutiers du 6 février 1934 qui pour Le Corbusier, furent «le réveil de la propreté».En 1940, il écrit à sa mère : (la défaite est une) « miraculeuse victoire. Si nous avions vaincu par les armes, la pourriture triomphait, plus rien de propre n’aurait jamais pu prétendre à vivre».Et encore, peu après le vote sur le statut des juifs : « Les juifs passent un sale moment ! Leur soif aveugle de l’argent avait pourri le pays! »«L’argent, les Juifs, la franc-maçonnerie, tout subira la loi juste. Ces forteresses honteuses seront démantelées.»« Hitler peut couronner sa vie par une œuvre grandiose : l’aménagement de l’Europe ». Et encore : «Il s’est fait un vrai miracle avec Pétain. Tout aurait pu s’écrouler, s’anéantir dans l’anarchie. Tout est sauvé et l’action est dans le pays.»
http://www.telegraph.co.uk/news/worl...ect-claim.html
Mr Jarcy said that in "Plans" Le Corbusier wrote in support of Nazi anti-Semitism and in "Prelude" co-wrote "hateful editorials".In August 1940, the architect wrote to his mother that "money, Jews (partly responsible), Freemasonry, all will feel just law".In October that year, he added: "Hitler can crown his life with a great work: the planned layout of Europe."
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Heh, it’s funny how Italian fascist architecture has only come in for rehabilitation recently enough (the white concrete monumental repetition in rectangles City of Glasgow College, which dominates a massive block between social housing and Strathclyde Uni edge of the central grid being one of the few British examples I can think of right now). Never heard of Corbs ever needing any rehab for past misdeeds but, I guess folk were so happy with what he was knocking up in post-war Marseilles that he got to design the UN building with nary a hair turned. Of course that institution has never had a problem with ex Nazi types.
Like your man Philip Johnson in the States, and then almost every contemporary architect whose has commissions from states as cuddly as China to full on boiling your dissidents like Central Asia or the Worker’s Paradise Gulf. Even if not a full on fascist bam, like the big beasts of the beforetime, being a full on Internationally Renowned Architect seems to require a fair bit of nose holding when it comes to patrons or utility of the building. Not giving two fucks about the welfare of the construction team, and even less toward the building’s long-term maintenance or purpose.
Apparently, one day in the long long ago, even famous, nay Iconic UK architects would design for public infrastructure or industry. Now it’s spec luxury flats from Hong Kong to Battersea. At best.Last edited by Lang Spoon; 27-11-2017, 23:03.
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Originally posted by Lang Spoon View PostHeh, it’s funny how Italian fascist architecture has only come in for rehabilitation recently enough (the white concrete monumental repetition in rectangles City of Glasgow College, which dominates a massive block between social housing and Strathclyde Uni edge of the central grid being one of the few British examples I can think of right now). Never heard of Corbs ever needing any rehab for past misdeeds but, I guess folk were so happy with what he was knocking up in post-war Marseilles that he got to design the UN building with nary a hair turned. Of course that institution has never had a problem with ex Nazi types.
Like your man Philip Johnson in the States, and then almost every contemporary architect whose has commissions from states as cuddly as China to full on boiling your dissidents like Central Asia or the Worker’s Paradise Gulf. Even if not a full on fascist bam, like the big beasts of the beforetime, being a full on Internationally Renowned Architect seems to require a fair bit of nose holding when it comes to patrons or utility of the building. Not giving two fucks about the welfare of the construction team, and even less toward the building’s long-term utility.
Apparently, one day in the long long ago, even famous, nay Iconic UK architects would design for public infrastructure or industry. Now it’s spec luxury flats from Hong Kong to Battersea. At best.
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I wasn’t comparing the UN building with Dubai etc drek, but the Gulf shite (and no de nazification for yer man) showing the amorality of the profession. For me anyway, I can separate modernism and liking it from the bad thoughts it’s makers may have felt. Corbs might have been more explicitly politically repellent than Hadid or Koolhaas, but they could work in some ethically dodgy locales for the right commission.Last edited by Lang Spoon; 27-11-2017, 23:38.
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Mind you, I also hate the minimalist giant room with bare white walls that also seems to be the default finish.
My dream is a room with just one really comfy leather chair, a big telly and a sonos.
This is maybe a bit fussy - I wouldn't have all those vases and shit on the TV stand, but has basically the right idea.
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As for Brutalist buildings, is there anything more exciting and cool than the sheer scale of things inside the National Theatre or the Barbican Centre? Moving from low ceilinged bunker-like areas into huge open geometrically defined spaces is breathtaking.
My favourite thing about Tate Modern is the huge brick facade and imposing chimney that makes you feel almost like you're heading underground to get into the building. Then you break out into the Turbine Hall and the space opens out to industrial scales.
It's that opposition that I love most in London's Brutalist buildings. (I know Tate Modern isn't actually Brutalist, but it has similar features, as does the new bit on the back.)
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