It seems to have drifted off the radio, but when they play "Alejandro" by Lady Gaga, I do find myself at the right moment thinking "na na na coco jambo, na na yeah".
Alejandro sounds much more like Coco Jambo to me than Blurred Lines does to Got To Give It Up.
This is the week of people being done for things when they should really have been done before for other things. Clarkson gets away with serial racism and then gets done for something else. Now Thicke gets away with basically praising rape, and then gets done for something else
It is only today that I saw the full lyrics of "Blurred lines" and, fuck me, every cunt involved in it deserves to be sued within an inch of their lives.
Pharrell Williams is the living proof that "catchy =/= good"
When in doubt, sue in case something sticks. It's the American Way.
Having listened to Blurred Lines, the similarities end with the feel of the instrumental base and Pharrell's falsetto. I agree with the defendants' attorney; I don't think tere is much of an objective base for this veredict beyond the jury listening to the songs and saying "Yeah, they sound a bit similar".
As you can probably tell, I haven't looked into this too much, not least because I didn't want to listen to "Blurred Lines' too much, but when "Got to Give It Up" came on, I initially thought it was "Lowrider" by War which shows that similarities go all ways.
It is a ridiculous case, notwithstanding the joy of seeing Williams and Thicke sued especially when the latter apparently didn't do anything but stick his name on the credits.
The only similarity I can hear between Low Rider and Got To Give It Up is the use of a cowbell in the intro. It certainly isn't in the same league as Blurred Lines in those terms.
Low Rider is a lot faster than Got To Give It Up, in a different key, and with a totally different rhythm to the main melody/riff.
I'd say Curtis Mayfield's estate will be the next to start combing through Pharrell Williams' back catalogue. A lot of his schtick draws, shall we say, not inaudibly on the work of the great man.
Green Calx wrote: Low Rider is a lot faster than Got To Give It Up, in a different key, and with a totally different rhythm to the main melody/riff.
I'd say Curtis Mayfield's estate will be the next to start combing through Pharrell Williams' back catalogue. A lot of his schtick draws, shall we say, not inaudibly on the work of the great man.
Happy might as well have been a lost Mayfield recording.
Jah Womble wrote: The only similarity I can hear between Low Rider and Got To Give It Up is the use of a cowbell in the intro. It certainly isn't in the same league as Blurred Lines in those terms.
As far as I can tell, the presence of the cow bell is what the whole similarity accusation is based on. To be fair, it was only a snatch that they played of Got To Give it Up.
Low Rider is a lot faster than Got To Give It Up, in a different key, and with a totally different rhythm to the main melody/riff.
I'd say Curtis Mayfield's estate will be the next to start combing through Pharrell Williams' back catalogue. A lot of his schtick draws, shall we say, not inaudibly on the work of the great man.
Happy might as well have been a lost Mayfield recording.
To repeat an earlier point (made by myself and many others far and wide), if it's all so apparently ridiculous, why did Williams feel the need to make public a preventative 'counter claim' long before this went to court?
Is this realistically likely to be overturned? On the face of it seems to have some similarities to the Luis Suarez tribunal, where the direct evidence, wasn't so strong, but there was troubling inconsistencies in the defence, i.e. an initial admission, and then an incredible retraction, that demolished the credibility of the defendant. (I.e. I told pharell to copy Got to give it up, followed by "don't pay any attention to that interview, I'm a drug addicted liar.")
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