He's one of the most successful German-language crooners ever. If the lists I've read are anything to go by, he sold as many records as Depeche Mode have.
He was born 33 years to the day before I was. Because of this, a former co-worker used to give me presents on my birthday - she was obsessed with Udo Jürgens (he deflowered her, so she reckons) and made it quite clear that the presents "aren't for you, they're for Udo."
Real tat it was, as well. Little fluffy mice wearing T-shirts with hearts on them, that sort of thing.
Udo Jürgens was a cut above your Schlager monkeys. Wrote his own lyrics, and sometimes intelligent and socially aware ("Griechischer Wein" was mawkish and now seems condescending, but in 1975 any song that criticised xenophobia was unusual).
He did two of my favourite German songs of the 1960s: the quite funny seduction song "Es wird Nacht, Senorita" and the catchy "Siebzehn Jaar, blondes Haar", which a little creepy as Udo was hitting on a 17-year-old girl at the age of 31.
I'm not familiar with the recently deceased musical artist in question. Just to say, I feared for a moment that this thread would be about Udo Lindenberg, whose songs I was familiar with in the mid 1980s.
First I thought Udo Lattek was dead. Then I thought this thread was in the wrong forum. These two things made me unhappy, in roughly equal measure. But I was wrong.
I'd never heard of the guy until a few weeks ago when staying near the Festhalle in Frankfurt - public transport and the road up from the station were filled with groups of women and couples of a certain age, and they were flocking into the Festhalle, so he was seemingly a big deal. I looked him up on wiki and realised how popular he was, and that the tour he was on was billed as his last, so that's not in doubt now.
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