My favourite bit so far in Simon Reynolds' (highly-recommended) Retromania is the sub-chapter on Least Collectable Albums. (Usually, flop follow-ups to massive-selling albums, where the label wrongly anticipated massive demand and printed up millions of unsellable copies). Great topic of discussion.
I keep thinking Frankie Goes To Hollywood's Liverpool OUGHT to be one of these, but from my own anecdotal point of view (i.e. what I see in second hand shops, charity shops and car booters), weirdly it isn't.
The other route to being Least Collectable is being a genuinely popular record against which the tide of fashion or public affection has turned drastically, but I reckon that's a slightly different phenomenon.
I keep thinking Frankie Goes To Hollywood's Liverpool OUGHT to be one of these, but from my own anecdotal point of view (i.e. what I see in second hand shops, charity shops and car booters), weirdly it isn't.
The other route to being Least Collectable is being a genuinely popular record against which the tide of fashion or public affection has turned drastically, but I reckon that's a slightly different phenomenon.
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