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    #26
    Cover Drive

    No mention of the cricketing Carol In The Deep Midwicket?

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      #27
      Cover Drive



      Third slip's stinding a bit wide for my liking there.

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        #28
        Cover Drive

        Purves Grundy wrote:
        I intend to be the svengali for lewd boyband Good Length
        Only if you can get them to autograph my copy of Full Toss.

        I wonder what happened to Brit Pop also-rans Yorker?

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          #29
          Cover Drive

          The other day on You Tube I watched an old TOTP performance of Waqar Khan, she was one of the pioneers of Reverse Swing.

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            #30
            Cover Drive

            Does anyone remember Lathwell? He was heralded as the "new Marvin Gaye" in some quarters, he sparkled briefly before succumbing to stage fright and becoming a recluse. His classic Lost In The Corridor of Uncertainty still gets the occasional spin in my house.

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              #31
              Cover Drive

              E10 Rifle wrote:
              Whatever happened to tedious prog-rock outfit Hawkeye's Verdict, whose 1975 concept album Negotiating The Middle Overs was widely derided?
              Ah, now, you say that, but their early stuff was great. Teatime Declaration is a lovely piece of English psychedelia. They only started going downhill with Four Men Saving One.

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                #32
                Cover Drive

                I know little about cricket but always think Flat Track Bully would be a good hardcore/nü metal band.

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                  #33
                  Cover Drive

                  Nightwatchman should have been better known than he was; surely one of Kingston's most innovative dub producers. Possibly A Bit High was a classic.

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                    #34
                    Cover Drive

                    I was briefly a bit of a fan of American grungy hardcore types Shirtfront, whose 1991 album The Pitch Is Cracking Up remains a bit of a classic I reckon.

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                      #35
                      Cover Drive

                      There's been a fair amount of metal already here but it would be churlish not to at least mention the almost mythical stoners Merciless Sledger.

                      Their rare white label album Every Time I Make Love to Your Wife, She Gives Me a Biscuit was nothing short of genius.

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                        #36
                        Cover Drive

                        80's soft rock band Slow Turner's cover version of Stuck in the middle with you still gives me nightmares.

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                          #37
                          Cover Drive

                          It often cones as a surprise to discover how far back the roots of this music go in north america - one of the oldest rivalries is betweeen American and Canadian musicians. Of the former, perhaps the archetype was Garfield "Duke" Balls, whose Pickin' At The Seam (c/w Ole Sticky Dog) finally spread his fame wider than the dusty joints of his native Longhandle, Iowa.

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                            #38
                            Cover Drive

                            I can't believe that no one has mentioned 60s singer Dolly Catch. Well I say singer but she's probably best known for beign the love interest in 'Farm the Strike' a union bashing farce.

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                              #39
                              Cover Drive

                              And how can we forget lovelorn indie miserablists For Two Declared, whose mournful Dropped (Off My Own Bowling) was something of an anthem for a generation of sensitive adolescents c1986

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                                #40
                                Cover Drive

                                Or the white rapper Shit-T (real name Curly Sandwich). Budgetary constraints on his first album, 'I Like It White (With 4 Sugars)' meant that he couldn't hire the services of seasoned veterans Salt 'n' Pepa, and had to make do with journeyman producer MC Ceee.

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                                  #41
                                  Cover Drive

                                  I should also add that soul-funk act Deep Cover's sleazy lurve anthem Let's Take This One Upstairs still hits the spot

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