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That's a great little nod from Schulz there!
RIP Christo. Sad news but he leaves a remarkable singular artistic legacy – though it should be noted, he and his wife Jeanne-Claude formed an inseparable creative double-act. I'll always associate them with the astonishing 'Surrounded Islands', where they outlined an island chain in Miami's Biscayne bay in flamingo-pink plastic, as I vividly recall seeing it a kid in the Guinness books where it must've been the world record for largest artwork:
Last edited by Various Artist; 01-06-2020, 09:06.
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They certainly pushed some people's buttons. I think it was their business acumen that riled people as much as their work. Art academics seemed particularly baffled and annoyed by their success. He'll be missed, though I expect Jeanne-Claude will continue their work in some way.
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I like their work and the capacity to annoy sort of adds to it, if anything. Photographs of the big pieces often have a dream like quality, similar to some of Storm Thorgerson's album art but with the added wow factor of realising that it is real rather than a studio manipulation, like watching Cleopatra instead of Gladiator. That said, when looking at photos of 2018's Mastaba on the Serpentine, it has a peculiar tendency to look like a computer generated impression of itself. In life it was much more solid (and less bright, depending upon the London weather).
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