Why are you on Facebook? (Doo-doo, doo-doo, doo-doo)
Why do you need second-hand friends? (Doo-doo, doo-doo, doo-doo)
Why do you really care who's trending? (Doo-doo, doo-doo, doo-doo)
Or is there something you're defending? (Doo-doo, doo-doo, doo-doo)
Get a life, is it that empty and sad? (Doo-doo, doo-doo, doo-doo)
Or are you after something you can't have? (Doo-doo, doo-doo, doo-doo)
You kiss the girls and run away (doo-doo, doo-doo, doo-doo)
Now you won't come out to play (doo-doo, doo-doo, doo-doo)
Why are you on Facebook?
Why are you on Facebook?
Why are you on Facebook?
Why are you on Facebook?
Why are you on Facebook?
Why are you on Facebook?
Why are you on Facebook?
Why are you on Facebook? Yeah
Did you miss your fifteen minutes of fame? (Doo-doo, doo-doo, doo-doo)
Or do you not have any shame? (Doo-doo, doo-doo, doo-doo)
Or is it some kind of twisted game? (Doo-doo, doo-doo, doo-doo)
Put yourself in the frame (doo-doo, doo-doo, doo-doo)
For what some people work very hard to attain (doo-doo, doo-doo, doo-doo)
Or are you looking for a scapegoat to blame? (Doo-doo, doo-doo, doo-doo)
'Cause you're a failure again
Why are you on Facebook? (Doo-doo, doo-doo, doo-doo)
Why do you need second-hand friends? (Doo-doo, doo-doo, doo-doo)
Why do you really care who's trending? (Doo-doo, doo-doo, doo-doo)
Or is there something you're defending? (Doo-doo, doo-doo, doo-doo)
Get a life, is it that empty and sad? (Doo-doo, doo-doo, doo-doo)
Or are you after something you can't have? (Doo-doo, doo-doo, doo-doo)
You kiss the girls and run away (doo-doo, doo-doo, doo-doo)
Now you won't come out to play (doo-doo, doo-doo, doo-doo)
Why are you on Facebook?
Why are you on Facebook?
Why are you on Facebook?
Why are you on Facebook?
Why are you on Facebook?
Why are you on Facebook?
Why are you on Facebook?
Why are you on Facebook? Yeah
Did you miss your fifteen minutes of fame? (Doo-doo, doo-doo, doo-doo)
Or do you not have any shame? (Doo-doo, doo-doo, doo-doo)
Or is it some kind of twisted game? (Doo-doo, doo-doo, doo-doo)
Put yourself in the frame (doo-doo, doo-doo, doo-doo)
For what some people work very hard to attain (doo-doo, doo-doo, doo-doo)
Or are you looking for a scapegoat to blame? (Doo-doo, doo-doo, doo-doo)
'Cause you're a failure again
At least the Facebook song made me laugh. 'Moondance' and 'Brown Eyed Girl' just make me want to kill the person singing them, absolutely hideous records.
I completely agree with the OP, that is simply Great Replacement theory writ large. It's seriously disturbing.
While I'm here though, I think "Brown Eyed Girl" is remarkable. It's not even a particular favourite, but it think it must be considered one of the greatest debut singles of all time. It starts off so loose, yet is identifiable within a fraction of a second. It has handclaps right from the get-go. It delays the chorus, and an organ comes in on the second verse like someone's just wandered over and started pressing the keys without a thought. He sings about having sex outside and I really believe him. Then the chorus has "sha-la-la-la"s as if it's the most natural thing in the world.
It seems to me like a cousin of a James Brown song, in that it really feels like the song is being made up on the spot by one performer completely lost in the moment. To do that on your first solo single is some sort of miracle. I never liked it until recently, but I completely changed how I heard this song in the last few years.
If only he'd knocked it on the head after that, eh?
Absolutely he's a twat. But Astral Weeks is a beautiful wonderful album. And I also have a love of "His band and the street choir". "I've been working" is the best soul song ever written and sung by a white person
Certainly agree with with ad hoc and derek. Also that the man's undoubtedly a twat and a half can't be argued. Thing about quoting his lyrics though is they matter very little, they're audial but that's about it. I must have listened to Astral Weeks a thousand times, but barring a verse or so of Madam George, can quote barely a line.
It is good to remember that art and artist can be separated some of the time - his early stuff is brilliant even if he was a whiny wanker. But not all the time - if your art contains white supremacist shit like the stuff above, then it's pretty heavily lumped in with the artist.
I like that point about the blankness of his lyrics
Astral Week is great. It’s always fascinated me that both it and Eric Dolphy’s Out To Lunch share a bassist. Same player on two towering albums in different genres
Certainly agree with with ad hoc and derek. Also that the man's undoubtedly a twat and a half can't be argued. Thing about quoting his lyrics though is they matter very little, they're audial but that's about it. I must have listened to Astral Weeks a thousand times, but barring a verse or so of Madam George, can quote barely a line.
That's true if the lyrics are abstract or oblique, and are mainly there to support the mood set by the music, but not when they are straight polemic.
True enough, I'd have a problem referring to anything of Morrison's as polemic though — except the religious stuff maybe. There's always a first time, but I'd have hear the songs quoted above before judging.
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