There was a Bucks Fizz musical, telling the story of the Fizz, called Night Of A Thousand Jay Astons - we saw it during the Edinburgh festival about 15 years ago, it’s one of those where you recognise more songs than you thought you did.
All parts were played by 3 drag artists and a small lady, who took turns on a song by song basis to play the part of Jay Aston.
The whole thing was a bit of an hour long Cheryl Baker character assassination. I’d go again if they ever revived it.
Yep, she stood for Brexit in Kensington a couple of years ago.
Nice way to repay the continent that basically made her career. (That Eurovision victory was forty years ago this coming Sunday, [elderly] fact fans...)
The Dorchester was a club in Wolverhampton, it must have been mid 90s. I've no idea which original member was involved. I was also too pissed to remember how bad they were.
Pink's Family Portrait is implicitly about a photograph:
In our family portrait we look pretty happy
We look pretty normal, let's go back to that
In our family portrait we look pretty happy
Let's play pretend, act like it goes naturally
I'm willing to have this disqualified on the grounds it could theoretically be a painting or a pencil sketch or charcoal and chalk or something, though.
The Mode at one point had a 100% strike rate of getting these onto their albums. The above-mentioned Photographic was on debut Speak & Spell, and subsequently its follow-up A Broken Frame included A Photograph Of You:
What good is a photograph of you
Every time I look at it
It makes me feel blue
...
What good is a colour print
Kraftwerk The Model mentions the cover of a magazine, surely a photograph is implied here.
The German lyrics are "Ihr neues Titelbild ist einfach fabelhaft", of which the Titelbild surely qualifies for this thread. More so than Pink's family fingerpainting.
A passing reference during a particularly scathing passage in Pink Floyd's When The Tigers Broke Free, from Roger Water's 1983 polemic on war The Final Cut:
And kind old King George
Sent Mother a note
When he heard that father was gone.
It was, I recall,
In the form of a scroll,
With gold leaf adorned,
And I found it one day
In a drawer of old photographs, hidden away.
And my eyes still grow damp to remember
His Majesty signed
With his own rubber stamp
Also scathing, if a tad less deep, was Robbie Williams on 1998's No Regrets, at the height of his then-discontent with his past in Take That:
Remember the photographs (insane)
The ones where we all laugh (so lame)
We were having the time of our lives
Well thank you it was a real blast
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