‘Night Chant’ from the 2021 album ‘Vol. 1’ by Ayumi Ishito And The Spacemen – Ishito on tenor saxophone, Theo Woodward synthesizer/vocals, Jake Strauss guitar/bass, Steven Bartishev drums and, ahem, Nebula , The Velvet Queen theremin.
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‘Alex Dream’ from the 2019 album ‘We Seem To Be Drifting Apart’ by Nils Berg Cinemascope, featuring Berg on tenor saxophone, flute, bass clarinet and keyboards, Josef Kallerdahl bass and Christopher Cantillo drums, percussion and vibraphone.
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The title track from the 2019 album ‘Beyond Us’ by Angles 9 – Magnus Broo trumpet, Martin Kuchen alto/tenor saxophones, Eirik Hegdal baritone saxophone, Goran Kafges cornet, Mats Aleklint trombone, Alexander Zethson piano, Matthias Stahl vibraphone, Johan Berthling bass and Andreas Werliin drums.
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‘Bitches Brew’ from the 2018 album ‘Electric Miles’ by the Charles Pillow Large Ensemble, with Dave Liebman soprano saxophone, Colin Gordon alto/soprano saxophones, CJ Ziarniak and Luke Norris tenor saxophones, Charlie Carr, Clay Jenkins, Tim Hagans and Tony Kadleck trumpets, Abe Nouri, Jack Courtright and Michael Davis trombones, Karl Stabnau bass clarinet, Gabe Ramos bass trombone, Julian Garvu electric piano, Mike Fortia bass, Jared Schonig drums and Charles Pillow alto/soprano saxophone, flutes and all arrangements.
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‘Lynes Joint’ from the 2018 album ‘Get It How You Live’ by Russell Gunn’s Royal Krunk Jazz Orchestra, with Curtis Watson, Lee King, Melvin Jones, Daniel Harper, Ali Barr and Darren English trumpets, Akeem Marable, Brian Hogans, Mike Walton, Jamel Mitchell, Eric Fontaine and James Robertson saxophones, Saunders Sermons, Derrick Jackson, Derrick White and Tom Gibson trombones, Phil Davis keyboards, Rod Harris guitar, Tabari Lake bass, Che Marshall drums, Ali Barr percussion and Russell Gunn arranger, conductor and trumpet.
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The title track from the 2020 album ‘Orca’ by the Kathrine Windfeld Big Band, with Windfeld on piano, Viktor Sandstrom guitar, Andre Bak, Rolf Sorensen and Magnus Oseth trumpets, Goran Abelli, Mikkel Aagaard and Anders Larson trombones, Jakob Lundbak, Magnus Thuelund, Roald Larsen, Ida Karlsson and Aske Drasbaek saxophones, Johnnes Vaht bass and Henrik Hansen drums.
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‘The Mediterranean Passage In The Age Of Refugees’ from Daniel Herskedal’s 2019 album ‘Voyage’, with Herskedal on tuba and bass trumpet, Maher Mahmod oud, Eyolf Dale piano, Bergmund Waal Skaslien viola and Helge Andreas Norbakken percussion.
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'Make No Gaps’ from Torbin Westergaard’s 2020 album ‘The Gori Project’, a Danish/Korean collaboration featuring Eunhee Choi on the gayagum (a Korean string instrument), Ryunggi Choi percussion, Rene Damsbak trumpet/electronics, Jacob Andreson percussion and Westergaard on bass and keyboards.
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I’m loving this thread by the way. Even though I only actually like maybe one in five or six or so of the tracks. Maybe I should’ve been “liking” them as I go? OK if I start now as I don’t want to unnecessarily clog up your box so to speak?Last edited by Sunderporinostesta; 14-09-2021, 08:01.
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Originally posted by Sunderporinostesta View PostI’m loving this thread by the way. Even though I only actually like maybe one in five or six or so of the tracks. Maybe I should’ve been “liking” them as I go? OK if I start now as I don’t want to unnecessarily clog up your box so to speak?
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‘Atlas’ from the 2012 album ‘And In The Night-Time She Is There’ by tenor saxophonist Trish Clowes, with Chris Montague guitar, Adam Robinson viola, Heidi Parsons cello, Louise McMonagle cello, Calum Gourlay bass and James Maddren drums.
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