Don't Stop Believin' was on the radio this morning. It reminded me of a few years ago when just about every TV show had it playing at some point. I think the X Factor contestants released a version, following on the heels of the Glee cast, and sounding very much like the Glee version.
I'd nominate All Along the Watchtower - recorded live by U2 and included on Rattle and Hum. They even used Hendrix's Star Spangled Banner as the intro to it. Hendrix of course covered it after Bob Dylan had released it three years earlier. .
When you cover a famous song that has been perfectly arranged and performed, your only true option is to rework it. Otherwise you're just Michael Bolton.
Nine Simone is often the middle person in such covers:
Lilac Wine - Jeff Buckley covering Simone covering Eartha Kitt covering Hope Foye's stage version written by James Shelton
Wild Is The Wind - David Bowie covering Nina Simone covering Johnny Mathis
House Of The Rising Sun - Animals covering Johnny Handle (Newcastle folk singer) covering Woody Guthrie but perhaps also inspired by Nina Simone's 1962 version
So many deluded X Factor contestants offer up "Valerie by Amy Winehouse" that Simon Cowell, to grudgingly give him credit, corrects them by mentioning The Zutons.
Does Bill Oddie's version of Ilkley Moor Baht 'At in the style of Joe Cocker's cover of With a Little Help From My Friends count? And if it does, has it already been mentioned?
The Fall's version of War was a cover of a faulty memory of the original:
Tim Mitgett: Is that a Henry Cow cover ['War"] on Middle Class Revolt?Are you actually a fan of that group or just that particular cut?
MES: Well, that's not really Henry Cow, it's Slapp Happy. No, I didn't like a lot of that stuff, actually...
TM: I was kind of surprised that it was on there
MES: Yeah, I find most of it very boring, though the Slapp Happy bits of it were good. I decided we should do it because it fit in with *Free Range* [single released dur-ng Operation Desert Storm] and stuff like that, what we'd been doing. But I went to get the Slapp Happy LP out, and I'd lost it; I hadn't really played it for about eight years. So, all I had were the Iyrics on the back, and I had to explain it to the group, you know? from memory.
TM: I suppose that can sometimes be more fruitful than picking it out note-for-note. . .
MES: Well, the funny thing was that I found the record again, and it's a completely different bloody song. [laughs] Same Iyrics, you know, but the arrangement is completely different, not even the same notes. It's funny what you think things sound like.
TM: Well, see, now you can put your name on it and get a piece of the publishing.
MES: [Laughs] No, no, I don't believe in that.
Does Bill Oddie's version of Ilkley Moor Baht 'At in the style of Joe Cocker's cover of With a Little Help From My Friends count? And if it does, has it already been mentioned?
I remember watching that on the wonderful Broaden Your Mind, and then reading a letter complaining about it in the following week's Radio Times...
Don't Stop Believin' was on the radio this morning. It reminded me of a few years ago when just about every TV show had it playing at some point. I think the X Factor contestants released a version, following on the heels of the Glee cast, and sounding very much like the Glee version.
I'd nominate All Along the Watchtower - recorded live by U2 and included on Rattle and Hum. They even used Hendrix's Star Spangled Banner as the intro to it. Hendrix of course covered it after Bob Dylan had released it three years earlier. .
XTC also did a version of it on their debut album. Slowed down a tad from their usual quirky jerky style but recognisably twitchy XTC all the same.
The Fall's version of War was a cover of a faulty memory of the original:
Tim Mitgett: Is that a Henry Cow cover ['War"] on Middle Class Revolt?Are you actually a fan of that group or just that particular cut?
MES: Well, that's not really Henry Cow, it's Slapp Happy. No, I didn't like a lot of that stuff, actually...
TM: I was kind of surprised that it was on there
MES: Yeah, I find most of it very boring, though the Slapp Happy bits of it were good. I decided we should do it because it fit in with *Free Range* [single released dur-ng Operation Desert Storm] and stuff like that, what we'd been doing. But I went to get the Slapp Happy LP out, and I'd lost it; I hadn't really played it for about eight years. So, all I had were the Iyrics on the back, and I had to explain it to the group, you know? from memory.
TM: I suppose that can sometimes be more fruitful than picking it out note-for-note. . .
MES: Well, the funny thing was that I found the record again, and it's a completely different bloody song. [laughs] Same Iyrics, you know, but the arrangement is completely different, not even the same notes. It's funny what you think things sound like.
TM: Well, see, now you can put your name on it and get a piece of the publishing.
MES: [Laughs] No, no, I don't believe in that.
Fall also did Ghost In House after R Dean Taylor & B.E.F ft Paul Jones
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