Not a big believer in spoilers, apparently...
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I watched "Isn't it Romantic?" on Netflix last night. Rebel Wilson stars as a woman who hates rom-coms, bangs her head and wakes up in one. Despite such an unpromising premise it was funny and made me and Mrs Thistle both laugh out loud on occasion.
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I hooked up the sky box to the internet, and downloaded the full series of Derry Girls and watched it with my dad. My god it's glorious. The scene where we're introduced to the English fella is one of the best character intros i've ever seen. It's the best thing Tommy Tiernan has ever done, even better than the depressed priest in the last episode of Father Ted. (and that bar was high) Barisan Selmy on the other hand has had plenty of experience in living in a world dominated by small women with bleached blonde hair. The episode with the miracle had me weeping.
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Same here. SoA was fun and ridiculous. I think it sometimes found it hard to keep track of its threads and of what it actually wanted to be, but it was generally well made and good fun. My main three criticisms were that Charlie Hunnam was (unsurprisingly) rubbish; that it seemed like it chose to escalate season to season - if it had kept the violence and silliness at the levels of the first season it would have been much better; and that the violence was perhaps excessive even in the silly context.
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I really enjoyed last night's 'Fleabag'. Quite different from the first series in it's structure and tone but very promising for how it's going to develop. Brett Gelman's Martin and Olivia Colman's godmother just get more enjoyably monstrous as the show goes on.
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I often wonder what it's like being someone like Gelman, or Rob Huebel to a lesser extent, whose entire professional persona is built around being an utter slimeball. It's more than just being typecast, or the sense that there's more of Partridge in Coogan or Brent in Gervais than you thought at first. They bring it over to everything they do, publicly at least, and yet it's still clearly a persona.
I have to say it didn't seem tonally all that different to me.Last edited by Ginger Yellow; 05-03-2019, 14:40.
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I'm not sure it was ever conceived or presented as pure comedy really, I mostly see the term comedy-drama used to describe it. I don't think categorising it is that important though.
Do you mean PWB's asides to camera are incongruous mugging? A lot of the time they make the scene work for me.
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Originally posted by Ray de Galles View PostIDo you mean PWB's asides to camera are incongruous mugging? A lot of the time they make the scene work for me.
I'm thinking like in the first series where she ends up getting with the bloke with fucked up teeth, and his having fucked up teeth is played for laughs in a more up front way than any of the stuff that's actually funny, most of which is done in a super low-key way. Mugging probably isn't the word.
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