Award season’s upon us with all that glossy part of art taking over.
I always wondered how you can determine best director?
Best actor or actress is easy. What you see on the screen is what you get, same with supporting.
Best score, evident.
Best song.
Best movie, best animated, best editing, best whatever, it’s there for the senses to pick up as you watch.
Best screenplay has become a bit weird. If there’s any part film studios seem like the worst run businesses, it’s screenplays where they can replace the original writer, then the second, then the third, then bring in a team, more often for a movie they act hysterically desperate, than they don’t with the screenwriting.
A screenplay together with editing, and that dude in charge of the cameras, the light, that’s where the movie is at for me. That’s the parts which either make them or break them. Look at last year’s Roma. It isn’t that new as far as overall goes. But the scrip, the editing, and the camera, make it into a wonder. The screenwriting makes a great movie unless someone fu**s up .Usually the studio pressuring the director.
But how do you judge a director in one of these award things?
We all know Steven Spielberg is a pretty good director, but how hard was it for him to direct The Post with Tom Hanks and Meryl Streep? Wasn’t it a greater directorial achievement by
Luca Guadagnino to direct the youngsters Armie Hammer and Timothy Chalamet in Call me by your name?
How can you vote for a best director, unless you were there to watch him/her direct? It’s not really evident on the screen how many percent they had part in it to make it great.
I always wondered how you can determine best director?
Best actor or actress is easy. What you see on the screen is what you get, same with supporting.
Best score, evident.
Best song.
Best movie, best animated, best editing, best whatever, it’s there for the senses to pick up as you watch.
Best screenplay has become a bit weird. If there’s any part film studios seem like the worst run businesses, it’s screenplays where they can replace the original writer, then the second, then the third, then bring in a team, more often for a movie they act hysterically desperate, than they don’t with the screenwriting.
A screenplay together with editing, and that dude in charge of the cameras, the light, that’s where the movie is at for me. That’s the parts which either make them or break them. Look at last year’s Roma. It isn’t that new as far as overall goes. But the scrip, the editing, and the camera, make it into a wonder. The screenwriting makes a great movie unless someone fu**s up .Usually the studio pressuring the director.
But how do you judge a director in one of these award things?
We all know Steven Spielberg is a pretty good director, but how hard was it for him to direct The Post with Tom Hanks and Meryl Streep? Wasn’t it a greater directorial achievement by
Luca Guadagnino to direct the youngsters Armie Hammer and Timothy Chalamet in Call me by your name?
How can you vote for a best director, unless you were there to watch him/her direct? It’s not really evident on the screen how many percent they had part in it to make it great.
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