The Magnificent Ambersons is disqualified from this list because it was done against Welles' wishes.
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Worst film endings
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Worst film endings
I can't pretend I liked the way No Country for Old Men ended (although I still like the film).
There's also the original theatrical release of Invasion of the Body Snatchers (1956), where the studio bolted on an optimistic ending.
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Worst film endings
Three Times A Reddy wrote: The animated Animal Farm from the 50s for changing the entire fucking point the book was trying to make.
I was on a sleeper train back to Somerset about ten years ago and remember reading a puff piece in Great Western's on-board magazine featuring a puff-piece with James Purefoy (apparently he was a porter at Taunton Hospital once apon a time...) ahead of the film's release in which he described the book as a "ripping yarn".
I didn't get round to watching the film till 8 years later when I was round at a friend and, having read and fallen in love with the book by then, noticed it was on that evening. For some reason I had Purefoy's castaway comment about the book in my mind as I watched the film.
Without revealing too much the ending of the film, and the culmination of the whole book is completely changed. In my mind the film is now eternally marked as fodder for the kind of prat who describes one of English literatures masterpieces as "a great yarn".
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- Jan 2015
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- Wrexham... ish
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Worst film endings
At least there were mitigating circumstances with Animal Farm, I suppose.
There was an awful lot of pressure on Halas-Batchelor (probably chosen because no American studio wanted to touch it), what with the CIA part-funding the film and obviously at that time not wanting a conclusion where it seems than Stalinism has won out.
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Worst film endings
But the film doesn't make out that Stalinism has "won out", it makes out that the only way to replace the (Stalinist) regime of the pigs is with a (yet further) popular revolution, which is meant to be desperate and hopeless but in the film somehow comes across as uplifting.
Maybe it was what was going on in North Korea and China at the time that the American film-makers were scared of portraying as a positive thing?
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