It’s not bad considering the Curtis-isation. I really struggle with his dialogue, which coats a movie like an emollient. You have to like the emollient and generally it grates on me.
This one gets away with it mainly thanks to Himesh Patel, who is excellent, as are his parents Meera Syal and Sanjeev Bhaskar. (If you get the chance to catch it Patel’s in the excellent Damned). Also on the plus side of the ledger is that there isn’t a hint of cultural stereotype in these three characters, in fact the lead’s Indian heritage isn’t referenced. I was worried about hearing somebody else doing Beatles songs but he gets away with it on the whole I felt.
It’s only fair to attach a Sheeran warning, although he does allow himself to be sent up somewhat, and a Corden warning, albeit mercifully brief. Oh and a shockingly stereotypical portrayal of US industry types.
The only thing I've ever seen Corden in is Telstar, where he has a proper part and is perfectly decent at it, but I don't think he was famous then (at least I hadn't heard of him).
Anything that causes kids to get into The Beatles is usually fine by me as long as it doesn't blatantly lie about whom they were or their influences. I will probably watch it on Netflix more as a sociological event than an enjoyable piece of work - a Beatles film using BAME actors would have been inconceivable even 20 years ago, I'd have thought - but I'd be a lot keener if the writer had a more cutting-edge CV and if all the signs didnt indicate this was going to be safety-first on anything mildly contentious in the group's history (not to mention Liverpool's ambiguous relationship with its legacy).
I quite enjoyed it. the songs are good. the performances are likeable. and as often with Curtis he reveals more about the state of the country than perhaps he knows.
The original premise has got legs but they never get to stand up, never mind put their shorts and running shoes on. And then the second half, when the makers realise the first half is going nowhere, man, is trite beyond triteness. All in all, a rather duff romantic comedy that doesn't live up to the billing. A bit lame really.
If you really must go to the kino, go and see Bunuel in the Labyrinth of the Turtles.
I found it an enjoyable enough way to spend a couple of hours, and it's always exciting to watch a film and realise that you've been to that branch of Upper Crust.
It’s not bad considering the Curtis-isation. I really struggle with his dialogue, which coats a movie like an emollient. You have to like the emollient and generally it grates on me.
This one gets away with it mainly thanks to Himesh Patel, who is excellent, as are his parents Meera Syal and Sanjeev Bhaskar. (If you get the chance to catch it Patel’s in the excellent Damned). Also on the plus side of the ledger is that there isn’t a hint of cultural stereotype in these three characters, in fact the lead’s Indian heritage isn’t referenced. I was worried about hearing somebody else doing Beatles songs but he gets away with it on the whole I felt.
It’s only fair to attach a Sheeran warning, although he does allow himself to be sent up somewhat, and a Corden warning, albeit mercifully brief. Oh and a shockingly stereotypical portrayal of US industry types.
Make of of that what you will.
And it’s Robert Carlyle.
Wasn't the Corden bit a not exactly subtle nod to The Ed Sullivan Show?
I dunno, if it had been 'about' The Fall rather than The Beatles I might have fancied it.
The only thing I've ever seen Corden in is Telstar, where he has a proper part and is perfectly decent at it, but I don't think he was famous then (at least I hadn't heard of him).
James McCartney
"Jack" Lennon
George Harrison
Stuart Sutcliffe
Peter Best
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