You know how some films are really transparent in terms of the thinking behind them?
The thinking behind Harry Brown, the new Michael Caine film (which I haven't seen, but I've taken in the poster and the precis) would appear to be pretty simple.
What they've blatantly done there is thought "Wow, Clint Eastwood got good reviews in Gran Torino as an old guy who takes no shit from young ruffians. OK, who's the British equivalent?"
The thinking behind Harry Brown, the new Michael Caine film (which I haven't seen, but I've taken in the poster and the precis) would appear to be pretty simple.
What they've blatantly done there is thought "Wow, Clint Eastwood got good reviews in Gran Torino as an old guy who takes no shit from young ruffians. OK, who's the British equivalent?"
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